Fall Classes at the LEMURplex

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The descriptions and schedule for fall classes at the LEMURplex are now available. I’m teaching Electronics for Poets which is an introduction to electronics and circuit design.

Long Format Classes (three sessions)

Mondays, September 25, October 2 & October 16, 6:30-9:30 pm
INTRO TO JITTER
Cycling ’74 Jitter

Tuesdays, September 26, October 3 & October 10, 6:30-9:30 pm
INTRO TO MAX
A Multifaceted, Multimedia Approach

Wednesdays, September 27, October 4 & October 11, 6:30-9:30 pm
ELECTRONICS FOR POETS
Basic Circuitry for Arts & Multimedia

Thursdays, September 28, October 5 & October 12, 6:30-9:30 pm
DSP FOR DUMMIES
Audio Processing in MSP

CMR Open Studios

Opening night of open studios at the Megashear Ranch was last night. Lots of great works on display. I made an installation of my Dance Loop that I used for a dance performance with the NYU-ITP dance collaboration and I have an Inverse Parasol kicking around (works great with the video installation). At the opening a bunch of small extremely active humans were really into the installation and just going totally nuts and running around non-stop. The kids could be coaxed to stop and move slowly, but I literally had to take them by the hand :)

The second night is this Thursday. We have two bands playing!


Two Fabulous Nites! Two Fabulous Floors of cATacLySmIc Creation!

Come to the Cataclysmic Megashear Ranch to meet the Ranch Hands and view their Art.

CMR, nestled in the heart of scenic Bayview, has long been home to shady characters and dubious activities. This is your chance to see the latest crop of manufactured handiwork from the artists currently in residence.

Opening Day:
Sunday, August 6th, 3p – 9p

Closing Night:
Thursday, August 10th, 6pm – Midnight
Live Bands: SF Cattle Company and Babyshakers

1433 Van Dyke Ave, Bayview, SF

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Artists – Exhibition Catalog (updated):

NEWLY ADDED/AMENDED:
Dave Cherry – Comic Art
Kiki Pettit Jewell – Neon and plasma sculptures
Scott Bartlett Jewell – Turbo jet engine: Turbo from a car, metal, and ingenuity
Paba Free – Interactive Sound Installation
Dominique Hatt – “Floating dream light device” 2000-2006
Elizabeth Dougherty – birdbath, candlestick, fountain and copper framed photo.
Dodger – Fire pendulum

PREVIOUSLY LISTED:
Nick Thompson – “You are Here” Installation
Mike McCabe – Time Lapse Animation of Atmospheric Strata
Nurse Sara – Gorilla video
John Doe – “Video Feedback – Realtime interactive video kaleidoscope surprises and briefly entrances most hipsters”.
Barbobot – “Creature” An installation of lightbulbs and feedback sensors which create an intimate environment for the viewer.
Furry – “Garden Tub and Environs” Glowy lights, silk plants and clawfoot.
Michael Ang – “Dance Loop” Interactive video installation, “Inverse Parasol” Electronic carryable
Hillary Seidner – “LED chandelier”
Nurse Saz – Stories and microbial organisms from the Congo
Uncle Kruddy – Mixed Media
Kathryn Arnold – Collection of Paintings
Lisa Pimental – Mixed Media
Pernilla Persson – Mixed Media Photos
Mauricia Gandara – Mixed Media

REMOTE – Aug 3-5, 10-12 (SF)

REMOTE

My friend Ed from ITP and his wife are putting on a multimedia performance called REMOTE. Ed’s a genius and no doubt the performance is awesome. I hope to go on Aug 5 but I’m cramming on getting a piece ready for the cAtClySMic MegASHear rANCH Open Studios on Sunday and Thursday. REMOTE is also playing in NYC on Aug 18 and 19, at the Three Legged Dog art space that I have yet to check out.

“The further you are, the closer I feel to you… please, stay away” – Remote

In a time where traditional intelligence networks seem to have failed, and where “faith-based” decisions challenge scientific “objectivity”, this new multimedia theatre project by award winners Kraft + Purver examines the hilarious, poignant and disturbing ways we try to connect while maintaining a safe distance.

Remote investigates this theme through several narrative threads: the history of bizarre experiments in psychic spying performed by the CIA and U.S. military, the impact of technology on the nature of intimacy, and the dilemma of isolation vs entanglement in the American psyche. The performers navigate an immersive environment of live, interactive video manipulation, 3D landscapes and digital technology, blurring the lines between reality and perception and illuminating how distance allows us the grace of perspective and the capacity for violence.

From the creators of “Woods for the Trees”…
Kraft + Purver and CounterPULSE present
REMOTE
AUG 3, 4, 5 & 10, 11, 12th @ 8:00 pm
@ CounterPULSE 1310 Mission St (@ 9th St), SF
Tix $12-15 first weekend, $15-20 second weekend
Reservations: (415) 435-7552
http://www.counterpulse.org
http://www.kraftpurver.com
There is limited seating so make reservations now!

Also, the HERE American Living Room Festival presents the east coast premiere
Aug 18 & 19 @ 8:30pm
@ Three Legged Dog Arts & Technology Center, 80 Greenwich St, NYC
Buy tix: http://www.smarttix.com/show.aspx?showcode=REM4&pcode=AME75

Conceived and created by Kraft + Purver with the performers
performed by Sara Kraft, Ed Purver, Ernie Lafky, Rowena Richie
Directed by Sara Kraft
Visual Design by Kraft + Purver
Video by Ed Purver
Sound & Music by Sheldon Smith
Songs by Sara Kraft
Lighting by Frieda Kipar
Costumes by Jenny McAllister
Stage Managed by Joy Newhart
Production Interns: Blake McConnell & Jackie Bendzinski

“Transporting, shrewdly evocative, and often very funny, their creative process suggests two precocious, deeply mischievous children with advanced degrees and the keys to the laboratory” – San Francisco Bay Guardian

New Job!

Cause and Effect by Scott Snibbe

Well, not so new anymore actually (been here for three weeks). This summer I’m working at Sona Research, the studio of interactive media artist Scott Snibbe. Not sure how much I can reveal at this point but I’m working on at least one installation that will have a very public launch.

The company has a fantastic philosophy and working atmosphere. I really love Scott’s work, and now I’m a part of it! The studio is in a converted warehouse building in Bayview, San Francisco and is chock full of artists and creative types. Camille Utterback is just down the way and it’s pretty common for people to come by the studio and say hi.

The pic above is Cause and Effect by Scott Snibbe.

Scott Draves – Dreams in HiFi

Dreams in High FidelityDreams in High FidelityDreams in High Fidelity

My friend Spot was in NYC last week promoting his new projects Dreams in High Fidelity and Moments in Genetic Time. He gave a talk at ITP that was very well received (and Dreams on a high-def projector is gorgeous). These new projects are marker points of his work with generative systems that has been going on for more than 10 years.

For Dreams and Moments Scott has curated the “best” of the Electric Sheep and rendered them at a much higher resolution. Each “sheep” is the seed for a fractal frame algorithm, and the sheep are evolved using a combination of genetic algorithms, direct human creation, and human voting. The sheep in these new projects represent the culmination of years of human labour and collaboration, and at hundreds of millions of hours of computation.

ITP-Dance NYU Kimmel Center Performance

PeformancePeformance

(Sorry for not writing about this before it happened… too busy making it happen!)

The ITP-Dance performance at the NYU Tisch Graduate Student Organization Spring Festival was a success! Last few days have been even more hectic than usual, so only writing about it now.

Our theme is the city and this piece explores the idea of crowds, compression/decompression and repetition. The inspiration comes from the New York subway experience. The setting (Kimmel Center) was great, with a massive projection screen behind the dancers.

Here is our rough cut video (9MB .mov).

One issue I’ve been struggling with when combining dance and video is where the audience should direct their attention. There is definitely the tendency to switch back and forth between the dancers and video. I find the ending the most satisfying, in part because of the contrast between the stillness on the stage and the frenetic video.

We’re not sure what our next step will be yet. We’re taking a short break then setting our next target!